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THATLou – Ladies au Louvre

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Hello Hunters! 
05 October 2016
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Hello Hunters! 

Please use the “Categories” box to your right to find what you’re looking for. Though we do have a few sections of typical blog articles (such as the “Travelling with Kids in Paris and London” and “Nearby Food & Wine”) this blog is also meant to help hunters read posts on the museums they’ll be hunting in, in the meantime sometimes reading whole articles on the treasure they’ll be scouting out on their THATMuse. 

To find these articles, please look for which THATMuse you’re going on and theme you’ve chosen, for instance:  

THATLou – Beauty & Bestiary
THATBrit – Fun & Games


When fragments of text are in bold, often that means it's going to answer a precious bonus question. (Please note, the museums do close of sections at times, so not all blog posts in your theme will always be included in your hunt – worst case scenario you’ve learned a bit about art for the sake of art). Prior to leaving you may want to print off the posts for your THATMuse prep to read en route to Paris or London thus getting your adrenaline pumping for the greatest Museum adventure!   Comments or suggestions per blog post or via email are warmly welcomed!  Happy Hunting! 
Daisy
The Borghese Beauty
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The Borghese Beauty

In our most recent THATLou post we lingered on an introduction to the Borghese Collection at the Louvre. Though necessary, it was honestly a bit sober. So in developing this story line (before getting to the actual crux — an item or two of the collection itself!) I thought we needed some juicy gossip. And what makes for juicier gossip than scandal? It’s hard to top the stories of Messalina, as touched on in a previous post, but Pauline Borghese, Napoleon’s sister and wife to Prince Camillo Borghese, certainly comes a close second in “shock” factor.



Portrait of PrinceCamillo Borghese, by Francois Gerard (1770-1837) location unknown, wikipedia.org

She was the beauty of the family, 6th of the 8 children born to Napoleon’s parents in Ajaccio, Corsica. At the age of 16, in 1796 (just as Napoleon was starting to make his mark on history, during the Italian Campaign), she fell madly in love with a 40-year old syphilitic philanderer. To distract her, the family married her off to one of Napoleon’s soldiers, General Victor Emmanuel Leclerc (whom Nappy incidentally caught her being let’s say, indiscreet with behind a screen at the Palazzo Mombello in Milano — but I get the idea he didn’t share this morsel with his family).  

Despite having a son by Leclerc (Dermide, whom Napoleon, ever the control-freak, named), Pauline set herself up with many a lover. The family was posted to Haiti, which is where she may have developed her taste for sleeping with black men. It is well documented (a small bit of trivia that I remember from high school when we had to spend time at the Museo Napoleonico in Rome. Just as an aside, these completely un-useful bits of trivia is exactly how my history teachers hooked me on their rich subject) that she was in the habit of having her large black servant, Paul, carry her to the bath every day, and would spend an inordinate number of hours receiving guests from the bath – talk about being hungry for attention! She’d also apparently use ladies-in-waiting as foot servants — literally stepping on their backs.



Portrait of PrinceCamillo Borghese, by Francois Gerard (1770-1837) location unknown, wikipedia.org

Unlike either her older brother (who spent a large part of his life being her PR spin doctor, in addition to being self-appointed ‘Emperor’ of Europe) or Messalina (3rd Empress of Rome and a flagrant hussy), Pauline didn’t seem to have any ambition — her interest was pure frivolity and sex. Eight months after Leclerc died she secretly remarried the handsome Prince Camillo Borghese. This rush infuriated Napoleon (Ironically with such a sister, Napoleon tried to instill a code of good morals. Compare Jacques-Louis David’s Portrait of Mme. Recamier (1800, at the Louvre) to Antonio Canova’s sculpture of Pauline – which at her request was nearly nude and posed as Venus Victrix – 1805-8 at the Galleria Borghese). Throughout her infidelities, there was a modicum of decency and even loyalty about her. Though she swiftly cheated on Borghese — who was forced into selling a large part of his family’s art collection to his nouveau-riches self-coronated Emperor brother-in-law — she also secured Camillo the post of Governor of Piedmont and guardian of Napoleon’s prisoner, Pope Pius VII (two tasks Camillo coveted). And though she caused a lot of trouble for her brother (who adored her), she is also the only Bonaparte sibling to have supported him after he was deposed and sent to Elba. 



British Embassy on rue du Fbg St Honore, taken from flickr.com/eisenphotovideo

In fact according to Alistair Horne’s The Age of Napoleon, she liquidated most of her assets to go and live with Nappy in Elba and better his situation (although she kept her pretty frocks `to make him happy`). Among her assets was a sumptuous little number on rue du Faubourg St-Honore which she sold to the Duke of Wellingtonafter the Battle of Waterloo, and which since then has been the British Embassy of France. Apparently Wellington “gained the respect of the Parisians when, as the victor, he could have grabbed it for nothing, but insisted on paying the full price.



Pauline Borghese’s Paris Palace, now the British Embassy taken from Hector Berlioz’s website

Just as a small reminder – when little morsels are randomly placed in bold, it just may mean that those could conceivably arise as answers to bonus questions. The Borghese Beauty is applicable to any number of THATLous, since the Borghese Collection has the Three Graces (Beauty), wild satyrs (Bestiary), wonderful Craters (Food + Wine), and Roman Sarcophagi (Skull Scouting Halloween Hunt), etc.


English historian Alistair Horne has written a number of great books on Napoleon and his time. And here’s a good New York Times article about the Borghese Collection au Louvre (no bonus questions – just if interested).
Beauty
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Beauty



Three Graces in the Borghese Collection at the Louvre, www.wikipedia.com


THE THREE GRACES

Roman copy of Greek 2nd Century BC Statue

Marble, H 1.19m (3ft, 10in) x W 85 cm (33 in)

The Graces, according to Seneca, stand for the 3-fold aspect of generosity the giving, receiving and returning of gifts of benefits. Three daughters of Zeus, some identified them as Beauty, Charm and Joy. Many myths had them presiding over banquets and gatherings, primarily to entertain and delight Zeus’s guests.  These are a Roman copy from the Imperial era (approximately 2nd Century AD), after a Hellenistic original from the 2nd Century BC. Nicolas Cordier (1565 – 1612) restored them in large part in 1609 for Cardinal Borghese (Did you catch that? It’s a thatlou hint… that this marvelous trio is a part of the Borghese collection). Napoleon acquired a considerable part of the Borghese collection in 1807 from his impoverished brother-in-law, Prince Camillo Borghese. 344 antiquities in total made their way from Italy to France. Yet another example of how a French monarch (don’t forget Francois Premier pulling over the Italian renaissance) reaped the benefits of Italian artistic talent — and Italian financial incapacity.

POINTS: XX

And remember during the hunt NO looking at the internet – so you may want to remember this Room 17, Ground Floor, Sully Wing address! And while I’m at giving Bonus Question hints away, who do you think is prettier, these Three Graces or the scandalous Paulina Borghese, Napoleon’s sister and Camillo’s wife?

All “treasure” per clue-manual have that up above in bold – the title, period, country of the piece, and when an artist is known, his/her name.
Messalina- More Sour Grapes
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Messalina- More Sour Grapes

Part of the reason the Julio-Claudian family is tricky to follow is because of all of the interconnected (read: incest!) relationships. Roman Empress Valeria Messalina, known as just Messalina (12 – 48 AD), was the third wife to Emperor Claudius; a cripple with a stutter. 10 years his junior, she was cousin to her husband Claudius, as well as cousin to his predecessor, Emperor Caligula, as well as paternal cousin to Emperor Nero (to follow Claudius, and to be his step-son — as well as… you guessed it, cousin!). Lastly (to be listed, as the connections go on and on!) she was the great-grand-niece of First Emperor Augustus. All of them (Messalina, Claudius, Caligula and Nero) were descendants of Livia, 1st Empress or Rome. Incest aside, she was what one would consider a powerful woman – as well as being a lady of, let’s say ‘compromising morals’, and a conspiring lady at that (for which she would eventually be beheaded)



Messalina and Brittanicus at the Louvre, taken from Flickr, Dipity

Robert Graves depicts Emperor Claudius as adoring Messalina for her beauty and youth. Whether this is true or not, we don’t know, but she did bare him two children directly after they were married in 38 AD, Claudia Octavia (who would be the future empress when she married her stepbrother, Emperor Nero) and Brittanicus, who Messalina vied to be the emperor (but she wasn’t so clever as Livia getting her own son, Tiberius, to the throne).  But before Robert Graves, who was writing in the 1930s, we have Roman sources to turn to for the juicy stuff.



Nero (equestrian statue fragment) at the Louvre, Taken from Louvre.fr

Both Tacitus and Suetonius portrayed Messalina as lustful, insulting, disgraceful, cruel, avaricious, etc. They attributed this to her inbreeding. Pliny the Elder tells of Messalina’s 24-hour sex competition with a prostitute in Book X of his Natural History. And guess who won? Messalina, having bedded 25 more partners than the whore Scylla (you may want to take note of this tidbit in case it appears as a bonus point in one of the hunts).

Juvenal was shockingly graphic in his critical description of her brothel, when he described her in Satire VI. He said the minute Claudius was snoring Messalina would put on a blonde wig and go to work at her brothel for the pleasure of it (for PG status I can’t requote Juvenal’s graphic bits), nor can I post the 1527 engraving that Augostino Carracci did for the famous Renaissance erotic book, I Modi (“The Ways”), which depicts various sexual positions. The engraving depicts her in her brothel, entitled Messalina Lisisca, after Juvenal’s poem.

After she convinced her lover, Roman Senator Gaius Silius, to leave his wife Messalina and Gaius plotted to assassinate Claudius and have Gaius adopt Brittanicus (Messalina’s son by Claudius and the presumed future emperor). Claudius caught word of this, and had them both executed for treason. Messalina was offered a knife to commit suicide honourably, but as she was too cowardly for that, she was beheaded on the spot (in the Gardens of Lucullus, which are now a part of the Villa Borghese in Rome, right above the Spanish Steps).



Spanish Steps, taken from citypictures.net

With such a juicy story under her belt, there are many references to her in popular culture – from Charlotte Bronte (in Jane Eyre, Mr Rochester refers to his first wife as an Indian Messalina) to Gabriel Garcia Marquez (in Love in the Time of Cholera, a dog with many pups bears her name). In Mikhail Bulgakov’s The Master and the Margarita, Messalina is a guest at Satan’s ball. 



Cuckolded Claudius took necessary measures with his beloved wife; photo taken at the Louvre, from histoire-fr.com

Flexible morals aside, the lady was venally powerful. That is, until she lost her head! Messalina fits perfectly for a Kings + Leaders THATLou, or of course a Ladies at the Louvre THATLou… Perhaps even the Love Hunt might include her – in the carnal sense… Is this hint obvious enough???
A Basanite Babe
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A Basanite Babe


Livia Drusilla, standing marble sculpture as Ops, with wheat sheaf and cornucopia, 1st C BC, Louvre

Livia Drusilla, first Empress of Rome, was indisputably the most powerful woman in the Julio-Claudian Roman Empire. All Julio-Claudian emperors were her direct descendents, despite having a childless marriage to the 1st Emperor of Rome, Augustus (formerly Octavian Augustus, back when there was a triumvirate and Rome was a Republic). This marriage lasted 50 years and by all accounts was a partnership of two clever minds. Livia (58 BC – 29 AD) saw to it that her son Augustus’s step-son, inherited the throne. This, despite the fact that Augustus intended five others to inherit the throne (all of whom happened to die, some under rather suspicious conditions).


Basanite bust of Empress Livia (58 BC – 29 AD), Louvre

Because this bust is basanite (a volcanic rock), it’s believed to have been sculpted just after the Battle of Actium (2 September 31 BC), when Octavian Augustus seized Cleopatra’s kingdom (the loss of this naval battle caused Mark Anthony to commit suicide). This would have made Livia 27 years old, already an able leader just as cunning as her Egyptian counterpart, Queen Cleopatra.

With senators on both sides of her family, Livia was not only the crème of the Roman aristocratic crop, she also had financial independence from Emperor Augustus (and from her former husband, the father of her two sons) through being granted the ‘marks of status’ in 35 AD, which was rarely granted to women. Soon thereafter she was also granted the sancrosancitas, which gave her the same rights Augustus had.

Tacitus described Livia as malevolent and called her a “feminine bully” and Robert Graves had a ball depicting her shrewd ambition in I, Claudius as the epitome of a scheming matriarch poisoning anyone who crossed her, and anyone who got in the path of her son Tiberius inheriting the throne (though Graves did a great service to widening our BBC knowledge of Roman History, he might have been slightly fictitious). But no one questioned the fact of either her cunning intelligence or her absolute power. Second only to her husband. The Julio-Claudian family tree can be slightly complicated with brothers and sisters marrying (Caligula, for one), but all of the Emperors stemmed from Livia. Tiberius (14-37 AD) was her son, Caligula (37-41 AD) her grandson, Claudius (41 – 54 AD) her grandson, Nero (54-68 AD) her great-grandson.

With so many anecdotes under her belt, Livia is a perfect candidate for plenty of THATLou Themes, from Kings + Leaders to Ladies au Louvre or seen as Ops holding wheat she could even be suitable for the Thanksgiving Food + Wine hunt. Wheat was free in Rome, which is perhaps why their bread is so delicious … 2000 years of practice with the forno certainly shows off! As for her Cornucopia, abounding with fruit, there’s another larger one found two rooms over in this Denon ground floor (Rez-de-Chausse, in French).

Things in bold are sometimes references to bonus questions…
Louvre Icon, Venus de Milo
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Louvre Icon, Venus de Milo



Aphrodite, known as VENUS DE MILO


Marble, H 2.02 meters

Island of Melos (Cyclades, Greece), 100 BC Statue

You can’t tell me you’re surprised we’re opening up the Love Hunt with the Goddess of Love, can you? A hands-down top ten Louvre Icon, just look on your map for her snap…

The identity of the “Venus de Milo” is unknown, as her arms were never found, nor were any attributes. Because of her sensuality and semi-nudity, she’s often considered to be Venus (goddess of love), however, she could have very well been Amphitrite (Poseidon / Neptune’s wife originally, but sadly this goddess of the sea diminished in importance at different junctures of Olympian history). Amphitrite was worshipped on the Island of Melos (Milo), where this Louvre icon was found.

She originally wore jewellery (bracelet, earrings and a headband) of which only the fixation holes remain. Traits which were typical of the 5th C BC, such as the harmony of her face, her aloofness and impassivity, lead some Art Historians to believe she was a 100 BC replica. Likewise, her hairstyle and the delicate modelling of the flesh evoke the works of the 4th C sculptor Praxiteles. But there’s plenty that places her in the Hellenistic period (between 3rd – 1st C BC), such as the spiral composition of her body, the fact that she’s 3D, her small breasts, elongated body and most importantly the thin veneer of material draped from her hips and not quite covering the top of her butt crack. It’s not the cling wrap material of Nike of Samothrace.


Venus’s fixture holes photo taken from from Where is Ariadne? Blog


photo taken from “Where Is Ariadne?”

Whoever this mystery lady is, she’s gorgeous and her ‘top-ten attraction’ at the Louvre status is entirely understandable. If you’re sharp you’ll have earned another thirty points by telling us where Venus de Milo hid during WWII, as discussed in Just Do It And another fifteen points each for 2 other treasures that hid with her — Not shabby on the bonus question front, eh?


As for the WWII Bonus answer: all of the following treasure was kept in hiding at the Château de Valençay: the lovely Venus, Michelangelo’s Dying Slaves, the Mona Lisa and Nike of Samothrace Every time I go up the Daru Staircase I think of the photo of Nike being evacuated from the Louvre’s Daru Staircase in 1939, as seen in the Nike blog post.

* The Louvre map has photos of six highlights per floor on their map. When it’s such a “greatest hit” (my joke term for these Louvre icons) those treasures are only worth 10 game points, as there’s no challenge to finding them. That is NOT TO SAY you don’t want to find these easy-to-find Icons, because you’ll be well rewarded with bonus questions, as you see above.

When things are in bold, usually that’s a hint that they refer to bonus questions…